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Neverending Forest

from Hail Death by Necroblast

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This song is connected to track no. 2 on the album, A Call in the Forest. If you read the lyrics you´ll see (another clue is to look on the titles).

The Hail Death album itself illustrates a dark cosmos as the structure of the songs builds up the world. It all begins with an eruption of power, and ends when it all has been blown up and burned in the great fire, and all that is left is ashes in the void. Guarding the beginning and the end is the forests, an a call, wich echoes through the eons until the end of time itself. All is lost, it is gone, nor life or death holds any power of the mind, wich is bleaked, tainted, sorrowful and longing for the dark world. It is the mind pouring it´s strength into itself, poisoning itself, creating morbid visions and hallucinations of hearing and seeing. Yes, even putrid smells stinks in this nightmare world, but yet the morbid ones does not wish to leave, no, they see that also light is black, and they loose themself in memories of the past and the future to come. It is of neverending forests, where the black hearts forever roam.

lyrics

Dark is the forests dreams
Sleeping throug the cursed years
Long is the forests night
Rotting with Autumn´s blight

Neverending Forest
My black heart bleeds for you

Journeys inunder the trees
Firs and fearsome black oaks
On hidden paths of old
Now lost forever to me

Neverending Forest
My black heart bleeds for you
For you
My black heart bleeds for you

Will ancient memories
Of the forest withstand?
I can never return
To the neverending land

Neverending Forest
My black heart bleeds for you

credits

from Hail Death, released May 13, 2012

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Necroblast image

Necroblast Sweden

NECROBLAST
Strength (rigth): Drums, guitar, base, vocals, technical stuff, percussion

Mind (left): Lyrics, vocals, guitar, synth, base, percussion, artwork

Production: Black Sword Studio, Studio Latency

Location: The grim forests and degenerated settlements of Torsås in Kalmar Län redneck-country in southern Sweden. ... more

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